The capture industry doesn’t stand still, and neither do we. This category is where Visualskies thinks out loud about where 3D scanning, volumetric capture and real-time technology are heading — and what that means for the film, TV, heritage and creative industries we serve. It’s less about individual client projects and more about the questions shaping the next few years of our field: how AI models should be trained without scraping artists’ work, how Gaussian splatting changes what “photoreal” means, and how immersive experiences are becoming a mainstream commission rather than an experiment.
Current reading includes our position on ethical AI training for previs — cutting previsualisation time dramatically while keeping artists’ rights intact — and a look at how our capture work powers art installations and immersive experiences beyond traditional screen work. If you want the studio’s view on an emerging technology before you commit a production budget to it, start here or ask us directly.
