Capture
Cyber scanning, LiDAR, photogrammetry and drones for cast, sets, props and locations.
- Cyber Scanning & Digital Doubles
- Volumetric Capture
- Environments & LiDAR
- Props & Object Capture
- On-Set Capture Support
Visualskies is a London 3D scanning studio for film, TV, games, commercials and construction. Our experienced crews capture cast, sets, props and locations with cyber scanning, LiDAR, photogrammetry and drones, and build every job around the production, from a single prop to a whole town.
01 // FILM & TVDigital doubles, sets and locations for Napoleon, Project Hail Mary and Paddington in Peru.
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02 // ADVERTISINGSlates, sets, cast and props, delivered within days of the shoot.
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03 // GAMESDigital humans and FACS for 007 First Light, Fortnite and FIFA 23.
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04 // AECSurvey-grade LiDAR and digital twins, from viability to handover.
ExploreFrom Napoleon and House of the Dragon to Coors Light, 007 First Light and the Houses of Parliament, we capture cast, sets, props and locations as production-ready 3D data, planned around each production.

Ridley Scott, Apple Original Films
Sole scanning provider across the UK, Malta and Italy, with around 7,000 LiDAR positions.
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Framestore and ILM
188 environment, 161 cast and 373 asset scans delivered to Framestore and ILM.
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Untold Studios
Landscapes, props, cast and four horses in the snow of Slovenia and Austria.
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IO Interactive
Lenny Kravitz scanned in our New York studio for the game’s villain, Bawma.
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UK Parliament
A heavy-lift drone flown inside the Central Tower instead of scaffolding.
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StudioCanal
Environments across Peru and Colombia, including Machu Picchu.
Read the case studyNot every scan is for a film set. The same kit and crew build digital twins of aircraft, reveal lost cities, rebuild faces from fragments and supply spatial data to artists and fan experiences.
Aviation
Heritage · National Geographic
Archaeology · Expedition Unknown
Art · AI
Sport · AR
FashionYour shoot is crewed by experienced operators who build and run our own rigs, and who have worked on sets from Pinewood to the mountains of Italy.
Nine weeks across Italy with a 112-camera cyber rig for The Dog Stars. 54 scans in two days on Another Simple Favour. Tell us the problem.
No fixed menu. We adapt kit, crew and schedule to the production, from a single prop to a whole town.
Cyber scanning, LiDAR, photogrammetry and drones for cast, sets, props and locations.
Custom tools, pipeline development and virtual production built on scan data.
Physical builds, immersive installations and VR / AR experiences.
With over 30 years embedded in the 3D scanning industry, our perspective offers direct insight into the technologies at play. We explore process developments and provide technical breakdowns on how the industry's leading scenes are created.
Visualskies is a London 3D scanning studio. We capture cast, sets, props and locations with cyber scanning, LiDAR, photogrammetry and drones, and deliver production-ready 3D data for film, TV, games, commercials and construction.
Film and TV, commercials and advertising, games and construction, plus specialist projects in aviation, heritage and archaeology, art, fashion and live experiences.
Our headquarters are in Battersea, London, with bases in Dublin, Berlin, New York, Arezzo in Italy and Hong Kong. Our rigs travel by van or by air in flight cases, and we have worked in 46 nations.
People, props, vehicles, sets, buildings and whole landscapes. Cast are captured in a 150-camera cross-polarised cyber rig, props in object booths or with a handheld Artec Leo, sets and locations with Leica and Trimble LiDAR scanners, and large areas by drone.
LiDAR uses laser pulses to measure exact distances, producing a geometrically accurate point cloud. Photogrammetry uses photographs to generate geometry and high-resolution colour textures. We combine the two so that assets are both millimetre-accurate and photorealistic.
Meshes as OBJ with colour and normal maps, point clouds, Gaussian splats and Unreal Engine project packages, at the level of processing your team needs, from raw scans to cleaned, retopologised assets.
Tell us what you are shooting, where and when. We will come back with a capture plan and the right crew for the job. Start a conversation.
Tell us about your project. We’ll help shape the capture.