Photogrammetry turns photographs into geometry. Shoot a subject from enough overlapping angles and software can reconstruct it as a dense, textured 3D model — with colour and surface detail that laser scanning alone can’t provide. At Visualskies, photogrammetry rarely works alone: we fuse it with LiDAR, using the laser data for dimensional accuracy and the photography for photoreal texture, which is why our reconstructions hold up at cinema resolution.
The projects under this tag run from film sets to fashion: capture for House of the Dragon, volumetric work on the Justin Bieber x Free Fire video, our Vogue China collaboration, and the mobile rigs we’ve built to bring studio-grade photogrammetry to any location. There’s also the production-planning side — what capture costs, how it schedules, and where it saves a VFX budget. If you’re comparing photogrammetry against laser scanning for a project, the honest answer is usually “both, fused” — and these case studies show why.
