Cameras are half of everything we do — photogrammetry, volumetric capture and reference photography all live or die by glass, sensors and sync. This tag collects the work where camera craft took centre stage: volumetric arrays built from cinema cameras, high-resolution photogrammetry rigs, and the capture behind projects like the Justin Bieber x Free Fire video, Vogue China’s volumetric fashion work and The Who’s immersive experience.
Our camera philosophy is unglamorous but effective: choose bodies for reliability in arrays, prioritise global shutter and colour consistency over headline resolution, and calibrate obsessively — because reconstruction software amplifies every inconsistency between heads. The posts here document those choices on real productions, alongside the mobile rigs we’ve engineered to bring studio-quality capture to any location. If you’re curious what actually sits inside a volumetric rig or a photogrammetry kit at this level, this tag is the honest answer.
